MTV

From Altcyclopedia
MTV
CountryUnited States
HeadquartersOne Astor Plaza, Times Square, Manhattan, New York City, New York 10036, United States
Programming
Language(s)English
Ownership
OwnerMTV Entertainment Group
(Paramount Media Networks)
Availability
Streaming media
PhiloInternet Protocol television
MTV (originally an initialism of Music Television) is an American pay television channel launched on August 1, 1981 based in New York City that serves as the flagship cable network of Paramount Television, a division of Paramount Global.

MTV originally aired music videos as guided by television personalities known as "video jockeys" (VJs), but in the years since its inception, the network significantly toned down its focus on music in favor of original reality programming targeting teenagers and young adults. Despite its success, the network's programming and influence have been the subject of controversy over the years.

MTV has spawned numerous sister channels in the U.S. and affiliated channels internationally, some of which have gone independent, with approximately 90.6 million American households in the United States receiving the channel as of January 2016.

History[edit]

Previous concepts (1964–1977)[edit]

Several earlier concepts for music video-based television programming had been around since the early 1960s. The Beatles had used music videos to promote their records starting in the mid-1960s. The creative use of music videos within their 1964 film A Hard Day's Night, particularly the performance of the song "Can't Buy Me Love", led MTV later on June 26, 1999, to honor the film's director Richard Lester with an award for "basically inventing the music video".

In his book The Mason Williams FCC Rapport, author Mason Williams states that he pitched an idea to CBS for a television program that featured "video-radio", where disc jockeys would play avant-garde art pieces set to music. CBS rejected the idea, but Williams premiered his own musical composition "Classical Gas" on the Smothers Brothers Comedy Hour, where he was head writer. In 1970, Philadelphia-based disc jockey Bob Whitney created The Now Explosion, a television series filmed in Atlanta and broadcast in syndication to other local television stations throughout the United States. The series featured promotional clips from various popular artists, but was canceled by its distributor in 1971. Several music programs originating outside of the US, including Australia's Countdown and the United Kingdom's Top of the Pops, which had initially aired music videos in lieu of performances from artists who were not available to perform live, began to feature them regularly by the mid-1970s.

In 1974, Gary Van Haas, vice president of Televak Corporation, introduced a concept to distribute a music video channel to record stores across the United States, and promoted the channel, named Music Video TV, to distributors and retailers in a May 1974 issue of Billboard. The channel, which featured video disc jockeys, signed a deal with US Cable in 1978 to expand its audience from retail to cable television. The service was no longer active by the time MTV launched in 1981.

Pre-history (1977–1981)[edit]

In 1977, Warner Cable a division of Warner Communications and the precursor of Warner-Amex Satellite Entertainment launched the first two-way interactive cable television system named QUBE in Columbus, Ohio. The QUBE system offered many specialized channels. One of these specialized channels was Sight on Sound, a music channel that featured concert footage and music-oriented television programs. With the interactive QUBE service, viewers could vote for their favorite songs and artists.

The original programming format of MTV was created by media executive Robert W. Pittman, who later became president and chief executive officer (CEO) of MTV Networks. Pittman had test-driven the music format by producing and hosting a 15-minute show, Album Tracks, on New York City television station WNBC-TV in the late 1970s.

Pittman's boss Warner-Amex executive vice president John Lack had shepherded PopClips, a television series created by former Monkee-turned solo artist Michael Nesmith, whose attention had turned to the music video format in the late 1970s. The inspiration for PopClips came from a similar program on New Zealand's TVNZ network named Radio with Pictures, which premiered in 1976. The concept itself had been in the works since 1966, when major record companies began supplying the creator of New Zealand Broadcasting Corporation with promotional music clips to play on the air at no charge. Few artists made the long trip to New Zealand to appear live.

Launch[edit]

File:Mtvmoon.png
The first images shown on MTV were a montage of the Apollo 11 moon landing
On Saturday, August 1, 1981, at 12:01 AM Eastern Time, MTV was launched with the words "Ladies and gentlemen, rock and roll," spoken by John Lack and played over footage of the first Space Shuttle launch countdown of Columbia (which took place earlier that year) and of the launch of Apollo 11. Those words were immediately followed by the original MTV theme song, a crunching rock tune composed by Jonathan Elias and John Petersen, playing over the American flag changed to show MTV's logo changing into various textures and designs. MTV producers Alan Goodman and Fred Seibert used this public domain footage as a concept; Seibert said that they had originally planned to use Neil Armstrong's "One small step" quote, but lawyers said that Armstrong owned his name and likeness and that he had refused, so the quote was replaced with a beeping sound. A shortened version of the shuttle launch ID ran at the top of every hour in various forms, from MTV's first day until it was pulled in early 1986 in the wake of the Challenger disaster.

The first music video shown on MTV was The Buggles' "Video Killed the Radio Star", originally only available to homes in New Jersey. This was followed by the video for Pat Benatar's "You Better Run". The screen went black sporadically when an employee at MTV inserted a tape into a VCR. MTV's lower third graphics that appeared near the beginning and end of music videos eventually used the recognizable Kabel typeface for about 25 years, but these graphics differed on MTV's first day of broadcast; they were set in a different typeface and included information such as the year and record label name. Template:Quote box As programming chief, Robert W. Pittman recruited and managed a team for the launch that included Tom Freston (who succeeded Pittman as CEO of MTV Networks), Fred Seibert, John Sykes, Carolyn Baker (original head of talent and acquisition), Marshall Cohen (original head of research), Gail Sparrow (of talent and acquisition), Sue Steinberg (executive producer), Julian Goldberg, Steve Lawrence, Geoff Bolton; studio producers and MTV News writers/associate producers Liz Nealon, Nancy LaPook and Robin Zorn; Steve Casey (creator of the name "MTV" and its first program director), Marcy Brafman, Ronald E. "Buzz" Brindle, and Robert Morton. Kenneth M. Miller is credited as being the first technical director to officially launch MTV from its New York City-based network operations facility.

MTV's effect was immediate in areas where the new music video channel was carried. Within two months, record stores in areas where MTV was available were selling music that local radio stations were not playing, such as Men at Work, Bow Wow Wow and the Human League. MTV sparked the Second British Invasion, with British acts, who had been accustomed to using music videos for half a decade (some of which appeared on the BBC’s Top of the Pops), featuring heavily on the channel.

MTV targeted an audience between the ages of twelve to thirty-four. However, according to MTV's self conducted research over 50% of its audience was between twelve and twenty-four. Furthermore, this particular group watched MTV for an average of thirty minutes to two hours a day.

1981-1991[edit]

Original VJs and format[edit]

The original purpose of MTV was to be "music television", playing music videos 24 hours a day and seven days a week, guided by on-air personalities known as VJs, or video jockeys. The original slogans of the channel were "You'll never look at music the same way again", and "On cable. In stereo."

MTV's earliest format was modeled after AOR (album-oriented rock) radio; MTV underwent a transition to mimic a full Top 40 station in 1984. Fresh-faced young men and women were hired to host the channel's programming and to introduce music videos that were being played. The term VJ was coined, which was a play on the initialism DJ (disc jockey). Many VJs eventually became celebrities in their own right. The original five MTV VJs in 1981 were Nina Blackwood, Mark Goodman, Alan Hunter, J.J. Jackson and Martha Quinn. Initially popular New York DJ Meg Griffin was going to be a VJ, but decided against it at the last minute. The VJs were hired to fit certain demographics the channel was trying to obtain (Goodman was the affable every man, Hunter the popular jock, Jackson the hip radio veteran, Blackwood the bombshell vixen and Quinn the girl next door). Due to the uncertainty of how successful the channel would be, the VJs were told not to buy permanent residencies and to keep their second jobs.

The VJs recorded intro and outro voiceovers before broadcast, along with music news, interviews, concert dates and promotions. These segments appeared to air live and debut across the MTV program schedule 24 hours a day and seven days a week, although the segments themselves were pre-taped within a regular work week at MTV's studios.

The early music videos that made up the bulk of MTV's programming in the 1980s were promotional videos (or "promos", a term that originated in the United Kingdom) that record companies had commissioned for international use or concert clips from any available sources.

Rock bands and performers of the 1980s who had airplay on MTV ranged from new wave to hard rock or heavy metal bands such as Adam Ant, Bryan Adams, The Pretenders, Blondie, Eurythmics, Tom Petty and the Heartbreakers, Culture Club, Mötley Crüe, Split Enz, Prince, Ultravox, Duran Duran, Van Halen, Bon Jovi, RATT, Def Leppard, The Police, and The Cars. The channel also rotated the music videos of "Weird Al" Yankovic, who made a career out of parodying other artists' videos. MTV also aired several specials by "Weird Al" in the 1980s and 1990s under the title Al TV.

MTV also played classic rock acts from the 1980s and earlier decades, including David Bowie, Dire Straits (whose 1985 song and video "Money for Nothing" both referenced MTV and also included the slogan "I want my MTV" in its lyrics), Journey, Rush, Linda Ronstadt, Genesis, Billy Squier, Aerosmith, The Rolling Stones, Eric Clapton, The Moody Blues, John Mellencamp, Daryl Hall & John Oates, Billy Joel, Robert Palmer, Rod Stewart, The Who, and ZZ Top; newly solo acts such as Peter Gabriel, Robert Plant, Phil Collins, Paul McCartney, David Lee Roth, and Pete Townshend; supergroup acts such as Asia, The Power Station, Yes, The Firm, and Traveling Wilburys, as well as forgotten acts such as Michael Stanley Band, Shoes, Blotto, Ph.D., Rockpile, Bootcamp, Silicon Teens and Taxxi. The hard rock band Kiss publicly appeared without their trademark makeup for the first time on MTV in 1983. The first country-music video aired on MTV was "Angel of the Morning" by Juice Newton, which first aired on MTV's premiere date. (Newton's video was the third video by a solo female artist to air on MTV, after Pat Benatar and Carly Simon.)

During the early days of the channel, MTV occasionally let other stars take over the channel within an hour as "guest VJs". These guests included musicians such as Adam Ant, Billy Idol, Phil Collins, Simon LeBon, and Nick Rhodes of Duran Duran, Tina Turner; and comedians such as Eddie Murphy, Martin Short, Dan Aykroyd, and Steven Wright; as they chose their favorite music videos.

The 1983 film Flashdance was the first film in which its promoters excerpted musical segments from it and supplied them to MTV as music videos, which the channel then aired in regular rotation.

In addition to bringing lesser-known artists into view, MTV was instrumental in adding to the booming eighties dance wave. Videos' budgets increased, and artists began to add fully choreographed dance sections. Michael Jackson's music became synonymous with dance. In addition to learning the lyrics, fans also learned his choreography so they could dance along. Madonna capitalized on dance in her videos, using classically trained jazz and break-dancers. Along with extensive costuming and make-up, Duran Duran used tribal elements, pulled from Dunham technique, in "The Wild Boys", and Kate Bush used a modern dance duet in "Running Up That Hill". MTV brought more than music into public view, it added to the ever-growing resurgence of dance in the early 1980s that has carried through to today.

In 1984, more record companies and artists began making video clips for their music than in the past, realizing the popularity of MTV and the growing medium. In keeping with the influx of videos, MTV announced changes to its playlists in the November 3, 1984, issue of Billboard magazine, that would take effect the following week. The playlist categories would be expanded to seven, from three (light, medium, heavy); including New, Light, Breakout, Medium, Active, Heavy and Power. This would ensure artists with hit records on the charts would be get the exposure they deserved, with Medium being a home for the established hits still on the climb up to the top 10; and Heavy being a home for the big hits – without the bells and whistles – just the exposure they commanded.

In 1985, MTV spearheaded a safe-sex initiative as a response to the AIDS epidemic that continues to influence sexual health currently. In this light, MTV pushed teens to pay more attention to safe-sex because they were most likely more willing to hear this message from MTV than their parents. This showed that MTV was not always influencing youth negatively. Even though in other aspects, MTV was provocative, they had this campaign to showcase their positive influence on youths and safe sex – a campaign that still is alive today: "Its Your Sex Life".

Video Music Awards[edit]

In 1984, the channel produced its first MTV Video Music Awards show, or VMAs. The first award show, in 1984, was punctuated by a live performance by Madonna of "Like A Virgin". The statuettes that are handed out at the Video Music Awards are of the MTV moonman, the channel's original image from its first broadcast in 1981. Presently, the Video Music Awards are MTV's most watched annual event.

Special, annual events[edit]

MTV began its annual Spring Break coverage in 1986, setting up temporary operations in Daytona Beach, Florida, for a week in March, broadcasting live eight hours per day. "Spring break is a youth culture event", MTV's vice president Doug Herzog said at the time. "We wanted to be part of it for that reason. It makes good sense for us to come down and go live from the center of it, because obviously the people there are the kinds of people who watch MTV." The channel's coverage featured numerous live performances from artists and bands on location. The annual tradition continued into the 2000s, when it became de-emphasized and handed off to mtvU, the spin-off channel of MTV targeted at college campuses.

The channel later expanded its beach-themed events to the summer, dedicating most of each summer season to broadcasting live from a beach house at various locations away from New York City, eventually leading to channel-wide branding throughout the summer in the 1990s and early 2000s such as Motel California, Summer Share, Isle of MTV, SoCal Summer, Summer in the Keys, and Shore Thing. MTV VJs hosted blocks of music videos, interview artists and bands, and introduced live performances and other programs from the beach house location each summer. In the 2000s, as the channel reduced its airtime for music videos and eliminated much of its in-house programming, its annual summer-long events came to an end.

MTV also held week-long music events that took over the presentation of the channel. Examples from the 1990s and 2000s include All Access Week, a week in the summer dedicated to live concerts and festivals; Spankin' New Music Week, a week in the fall dedicated to brand new music videos; and week-long specials that culminated in a particular live event, such as Wanna be a VJ and the Video Music Awards.

At the end of each year, MTV takes advantage of its home location in New York City to broadcast live coverage on New Year's Eve in Times Square. Several live musicperformances are featured alongside interviews with artists and bands that were influential throughout the year. For many years from the 1980s to the 2000s, the channel upheld a tradition of having a band perform a cover song at midnight immediately following the beginning of the new year.

Live concert broadcasts[edit]

Throughout its history, MTV has covered global benefit concert series live. For most of July 13, 1985, MTV showed the Live Aid concerts, held in London and Philadelphia and organized by Bob Geldof and Midge Ure to raise funds for famine relief in Ethiopia. While the ABC network showed only selected highlights during primetime, MTV broadcast 16 hours of coverage.

Along with VH1, MTV broadcast the Live 8 concerts, a series of concerts set in the G8 states and South Africa, on July 2, 2005. Live 8 preceded the 31st G8 summit and the 20th anniversary of Live Aid. MTV drew heavy criticism for its coverage of Live 8. The network cut to commercials, VJ commentary, or other performances during performances. Complaints surfaced on the Internet over MTV interrupting the reunion of Pink Floyd. In response, MTV president Van Toeffler stated that he wanted to broadcast highlights from every venue of Live 8 on MTV and VH1, and clarified that network hosts talked over performances only in transition to commercials, informative segments or other musical performances. Toeffler acknowledged that "MTV should not have placed such a high priority on showing so many acts, at the expense of airing complete sets by key artists." He also blamed the Pink Floyd interruption on a mandatory cable affiliate break. MTV averaged 1.4 million viewers for its original July 2 broadcast of Live 8. Consequently, MTV and VH1 aired five hours of uninterrupted Live 8 coverage on July 9, with each channel airing different blocks of artists.

Formatted music series[edit]

1986 brought the departures of three of the five original VJs, as J.J. Jackson moved back to Los Angeles and returned to radio, while Nina Blackwood moved on to pursue new roles in television. Martha Quinn's contract was not renewed in late 1986 and she departed the network. She was brought back in early 1989 and stayed until 1992. Downtown Julie Brown was hired as the first new VJ as a replacement. In mid-1987, Alan Hunter and Mark Goodman ceased being full-time MTV veejays.

Return of the Rock[edit]

Beginning in late 1997, MTV progressively reduced its airing of rock music videos, leading to the slogan among skeptics, "Rock is dead."[60] Two years later, in the fall of 1999, MTV announced a special Return of the Rock weekend,[61] in which new rock acts received airtime, after which a compilation album was released.

By 2000, Linkin Park, Sum 41, Jimmy Eat World, Mudvayne, Cold, At the Drive-In, Alien Ant Farm, and other acts were added to the musical rotation. MTV also launched the subscription channel MTVX to play rock music videos exclusively.

Total Request Live[edit]
1515 Broadway in Times Square
MTV created four shows in the late 1990s that centered on music videos: MTV Live, Total Request, Say What?, and12 Angry Viewers. In 1997, MTV introduced its new studios in Times Square.

A year later, in 1998, MTV merged Total Request and MTV Live into a live daily top ten countdown show, Total Request Live, which became known as TRL. The original host was Carson Daly. The show included a live studio audience and was filmed in a windowed studio that allowed crowds to look in. According to Nielsen, the average audience for the show was at its highest in 1999 and continued with strong numbers through 2001. The program played the top ten pop, rock, R&B, and hip hop music videos, and featured live interviews with artists and celebrities.

From 1998 to 2001, MTV also aired several other music video programs from its studios. These programs included Say What? Karaoke, a game show hosted by Dave Holmes. In the early 2000s MTV aired VJ for a Day, hosted by Ray Munns.

MTV also aired Hot Zone, hosted by Ananda Lewis, which featured pop music videos during the midday time period. Other programs at the time included Sucker Free, BeatSuite, and blocks of music videos hosted by VJs simply called Music Television.

In 2002, Carson Daly left MTV and TRL to pursue a late night talk show on NBC. The series came to an end with a special finale episode, Total Finale Live, which aired November 16, 2008, and featured hosts and guests that previously appeared on the show.

Milestones and specials[edit]

1995-2010: Shift from music[edit]

From 1995 to 2000, MTV played 36.5% fewer music videos. MTV president Van Toeffler explained: "Clearly, the novelty of just showing music videos has worn off. It's required us to reinvent ourselves to a contemporary audience." Despite targeted efforts to play certain types of music videos in limited rotation, MTV greatly reduced its overall rotation of music videos by the mid-2000s. While music videos were featured on MTV up to eight hours per day in 2000, the year 2008 saw an average of just three hours of music videos per day on MTV. The rise of social media and websites like YouTube as a convenient outlet for the promotion and viewing of music videos signaled this reduction.As the decade progressed, MTV continued to play some music videos instead of relegating them exclusively to its sister channels, but around this time, the channel began to air music videos only in the early morning hours or in a condensed form on Total Request Live. As a result of these programming changes, Justin Timberlake implored MTV to "play more damn videos!" while giving an acceptance speech at the 2007 MTV Video Music Awards. Despite the challenge from Timberlake, MTV continued to decrease its total rotation time for music videos in 2007, and the channel eliminated its long-running special tags for music videos such as "Buzzworthy" (for under-represented artists), "Breakthrough" (for visually stunning videos), and "Spankin' New" (for brand new videos). Additionally, the historic Kabel typeface, which MTV displayed at the beginning and end of all music videos since 1981, was phased out in favor of larger text and less information about the video's record label and director. The classic font can still be seen in "prechyroned" versions of old videos on sister network MTV Classic, which had their title information recorded onto the same tape as the video itself.

2010-present: Retirement from music videos[edit]

In 2010, MTV would drop the "Music Television" branding. The network would still air video premieres on occasion, through both television and real-time interaction with artists and celebrities on its website. Throughout the decade, music programming on the network would be scaled back. In April 2016, then-appointed MTV president Sean Atkins announced plans to restore music programming to the channel. On April 21, 2016, MTV announced that new Unplugged episodes will begin airing, as well as a new weekly performance series called Wonderland. On that same day, immediately after the death of Prince, MTV interrupted its usual programming to air Prince's music videos. In July 2017, it was announced that TRL would be returning to the network on October 2, 2017. Throughout the 2010s, it was observed that MTV's daily schedule came to predominantly consist of film broadcasts and frequent marathons of select original programming (such as Ridiculousness), with criticism from many about the frequency of Ridiculousness marathons.

Alongside its unscripted slate, MTV would produce more scripted programming. Such shows included Awkward., an American version of Skins, and a reimagining of Teen Wolf. In June 2012, the network announced the development of a television series based on the Scream franchise. As MTV would pivot back to unscripted programming towards the end of the decade, some of these shows would be moved to other networks.

Chris McCarthy was named president of MTV in 2016. In 2021, McCarthy was named president and CEO of MTV Entertainment Group (which also oversees Comedy Central, Paramount Network, TV Land, CMT, and Smithsonian Channel).

Programming[edit]

MTV HD logo
As MTV expanded, music videos and VJ-guided programming were no longer the centerpiece of its programming. Today, MTV's programming covers a wide variety of genres and formats aimed primarily at young adults and millennials. In addition to its original programming, MTV has also aired original and syndicated programs from Viacom-owned siblings and third-party networks.

MTV is also a producer of films aimed at young adults through its production label, MTV Films, and has aired both its own theatrically-released films and original made-for-television movies from MTV Studios in addition to acquired films.

In 2010, a study by the Gay and Lesbian Alliance Against Defamation found that of 207.5 hours of prime time programming on MTV, 42% included content reflecting the lives of gay, bisexual and transgender people. This was the highest in the industry and the highest percentage ever.

In 2018, MTV launched a new production unit under the "MTV Studios" name focused on producing new versions of MTV's library shows.

Programming history[edit]

First format evolution (1985–1991)[edit]

In 1985, Viacom bought Warner-Amex Satellite Entertainment, which owned MTV and Nickelodeon, renaming the company MTV Networks and beginning this expansion. Before 1987, MTV featured almost exclusively music videos, but as time passed, they introduced a variety of other shows, including some that were originally intended for other channels.

Non-music video programming began in the late 1980s, with the introduction of a music news show The Week in Rock, which was also the beginning of MTV's news division, MTV News. Around this time, MTV also introduced a fashion news show, House of Style; a dance show, Club MTV; and a game show, Remote Control. Programs like these did not feature music videos, but they were still largely based around the world of music.

Following the success of the MTV Video Music Awards, in an effort to branch out from music into movies and broader pop culture, MTV started the MTV Movie & TV Awards in 1992, which continues presently. MTV also created an award show for Europe after the success of the Video Music Awards. The MTV Europe Music Awards, or the EMAs, were created in 1994, ten years after the debut of the VMAs.

These new shows were just the beginning of new genres of shows to make an impact on MTV. As the format of the network continued to evolve, more genres of shows began to appear. In the early 1990s, MTV debuted its first reality shows, Real World and Road Rules.

Reality programs (1992–present)[edit]

Animated programs (1991–present)[edit]

In a continuing bid to become a more diverse network focusing on youth and culture as well as music, MTV added animated shows to its lineup in the early 1990s. The animation showcase Liquid Television (a co-production between BBC and MTV produced in San Francisco by Colossal Pictures) was one of the channel's first programs to focus on the medium. In addition to airing original shows created specifically for MTV, the channel also occasionally aired episodes of original cartoon series produced by sister channel Nickelodeon (Nicktoons) in the early 1990s.

MTV has a history of cartoons with mature themes including Beavis and Butt-Head, Æon Flux, The Brothers Grunt, Celebrity Deathmatch, Undergrads, Clone High, and Daria. Although the channel has gone on to debut many other animated shows, few of MTV's other cartoon series have been renewed for additional seasons, regardless of their reception.

In September 2009, the channel aired Popzilla, which showcased and imitated celebrities in an animated form. MTV again reintroduced animated programming to its lineup with the return of Beavis and Butt-Head in 2011 after 14 years off the air, alongside brand new animated program Good Vibes. In January 2016, MTV returned to animation with Greatest Party Story Ever.

Comedy and drama programs (1989–present)[edit]

MTV has a long history of airing both comedy and drama programs with scripted or improvised premises. Examples from the 1990s and 2000s include sketch-based comedies such as Just Say Julie, The Ben Stiller Show, The State, The Jenny McCarthy Show, The Lyricist Lounge Show, and Doggy Fizzle Televizzle, as well as soap operas such as Undressed and Spyder Games.

The channel expanded its programming focus in late 2000s and early 2010s to include more scripted programs. The resurgence of scripted programming on MTV saw the introduction of comedy shows such as Awkward. and The Hard Times of RJ Berger, and dramas such as Skins and Teen Wolf. In June 2012, MTV confirmed that it would develop a series based on the Scream franchise. The series is now in its third season. On June 24, 2019, it was announced that Scream would be moving to VH1 ahead of the premiere of the third season.

Logo and branding[edit]

MTV's second logo, used from late 1994, to February 8, 2010. It was still used in other countries until July 1, 2011.
File:Mtvstationid.gif
One of many MTV station IDs used during the 1980s; this one was designed by Henry Selick.
MTV's now-iconic logo was designed in 1981 by Manhattan Design (a collective formed by Frank Olinsky, Pat Gorman and Patty Rogoff) under the guidance of original creative director Fred Seibert. The block letter "M" was sketched by Rogoff, with the scribbled word "TV" spraypainted by Olinksky. The primary variant of MTV's logo at the time had the "M" in yellow and the "TV" in red. But unlike most television networks' logos at the time, the logo was constantly branded with different colors, patterns and images on a variety of station IDs. Examples include 1988's ID "Adam And Eve", where the "M" is an apple and the snake is the "TV". And for 1984's ID "Art History", the logo is shown in different art styles. The only constant aspects of MTV's logo at the time were its general shape and proportions, with everything else being dynamic. MTV launched on August 1, 1981, with an extended network ID featuring the first landing on the moon (with still images acquired directly from NASA), which was a concept of Seibert's executed by Buzz Potamkin and Perpetual Motion Pictures. The ID then cut to the American flag planted on the moon's surface changed to show the MTV logo on it, which rapidly changed into different colors and patterns several times per second as the network's original guitar-driven jingle was played for the first time. After MTV's launch, the "moon landing" ID was edited to show only its ending, and was shown at the top of every hour until early 1986, when the ID was scrapped in light of the Space Shuttle Challenger disaster. The ID ran "more than 75,000 times each year (48 times each day), at the top and bottom of every hour every day" according to Seibert.
File:MTV Logo Refresh.png
Comparison of MTV's original 1980s branding and its 2010 branding
From the late 1990s to the early 2000s, MTV updated its on-air appearance at the beginning of every year and each summer, creating a consistent brand across all of its music-related shows. This style of channel-wide branding came to an end as MTV drastically reduced its number of music-related shows in the early to mid 2000s. Around this time, MTV introduced a static and single color digital on-screen graphic to be shown during all of its programming.

Starting with the premiere of the short-lived program FNMTV: Friday Night MTV in 2008, MTV started using a updated and cropped version of its original logo for the 30 years during most of its on-air programming. It became MTV's official logo on February 8, 2010, and officially debuted on its website. The channel's full text "MUSIC TELEVISION" was eliminated, with the revised and chopped down on the logo largely the same as the original logo, but without the initialism, the bottom of the "M" being cropped and the "V" in "TV" no longer branching off. This change was most likely made to reflect MTV's more prominent focus on reality and comedy programming and less on music-related programming. However, much like the original logo, the new logo was designed to be filled in with a seemingly unlimited variety of images. It is used worldwide, but not everywhere existentially. The new logo was first used on MTV Films logo with the 2010 film Jackass 3D. MTV's rebranding was overseen by Popkern.

On June 25, 2015, MTV International rebranded its on-air look with a new vaporwave and seapunk-inspired graphics package. It included a series of new station IDs featuring 3D renderings of objects and people, much akin to vaporwave and seapunk "aesthetics". Many have derided MTV's choice of rebranding, insisting that the artistic style was centered on denouncing corporate capitalism (many aesthetic pieces heavily incorporate corporate logos of the 1970s, 80s and 90s, which coincidentally include MTV's original logo) rather than being embraced by major corporations like MTV. Many have also suggested that MTV made an attempt to be relevant in the modern entertainment world with the rebrand. In addition to this, the rebrand was made on exactly the same day that the social media site Tumblr introduced Tumblr TV, an animated GIF viewer which featured branding inspired by MTV's original 1980s on-air look. Tumblr has been cited as a prominent location of aesthetic art, and thus many have suggested MTV and Tumblr "switched identities". The rebrand also incorporated a modified version of MTV's classic "I Want My MTV!" slogan, changed to read "I Am My MTV". Vice has suggested that the slogan change represents "the current generation's movement towards self-examination, identity politics and apparent narcissism." MTV also introduced MTV Bump, a website that allows Instagram and Vine users to submit videos to be aired during commercial breaks, as well as MTV Canvas, an online program where users submit custom IDs to also be aired during commercial breaks.
MTV's former logo used on-air from February 8, 2010, to September 12, 2021, used online and on social media until September 13, 2021.
MTV's single color version, used for specific pieces of content.
On February 5, 2021, MTV began to use a revised logo in tandem with the 2010 version, doing away with the 3D effect inherited from its predecessors (much akin to the current MTV Video Music Awards variant). The new logo's rollout was completed in time for the 2021 MTV Video Music Awards.

"I Want My MTV!"[edit]

The channel's iconic "I want my MTV!" advertising campaign was launched in 1982. It was first developed by George Lois and was based on a cereal commercial from the 1950s with the slogan "I Want My Maypo!" that Lois adapted unsuccessfully from the original created by animator John Hubley.

Lois's first pitch to the network was roundly rejected when Lois insisted that rock stars like Mick Jagger should be crying when they said the tag line, not unlike his failed 'Maypo' revamp. His associate, and Seibert mentor Dale Pon took over the campaign, strategically and creatively, and was able to get the campaign greenlit when he laughed the tears out of the spots. From then on –with the exception of the closely logos on the first round of commercials– Pon was the primary creative force.

All the commercials were produced by Buzz Potamkin and his new company Buzzco Productions, directed first by Thomas Schlamme and Alan Goodman and eventually by Candy Kugel.

The campaign featured popular artists and celebrities, including Pete Townshend, Pat Benatar, Adam Ant, David Bowie, the Police, Kiss, Culture Club, Billy Idol, Hall & Oates, Cyndi Lauper, Madonna, Lionel Richie, Ric Ocasek, John Mellencamp, Peter Wolf, Joe Elliott, Stevie Nicks, Rick Springfield, and Mick Jagger, interacting with the MTV logo on-air and encouraging viewers to call their pay television providers and request that MTV be added to their local channel lineups. Eventually, the slogan became so ubiquitous that it made an appearance as a lyric sung by Sting on the Dire Straits song "Money for Nothing", whose music video aired in regular rotation on MTV when it was first released in 1985.

Influence and controversies[edit]

The channel has been a target of criticism by various groups about programming choices, social issues, political correctness, sensitivity, censorship, and a perceived negative social influence on young people. Portions of the content of MTV's programs and productions have come under controversy in the general news media and among social groups that have taken offense. Some within the music industry criticized what they saw as MTV's homogenization of rock 'n' roll, including the punk band the Dead Kennedys, whose song "M.T.V. – Get Off the Air" was released on their 1985 album Frankenchrist, just as MTV's influence over the music industry was being solidified. MTV was also the major influence on the growth of music videos during the 1980s.

Subsequent concepts[edit]

Censorship[edit]

Andrew Dice Clay[edit]

Social activism[edit]

Beyond MTV[edit]

Since its launch in 1981, the brand "MTV" has expanded to include many additional properties beyond the original MTV channel, including a variety of sister channels in the US, dozens of affiliated channels around the world, and an Internet presence through MTV.com and related websites.

See also[edit]

External links[edit]

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